![]() Performing rights organizations monitor their members' music when it is performed on the radio. Music is an asset, treat it as such and let it work for you.A performance rights organization (PRO) collects royalties between copyright holders and parties who wish to use copyrighted works publicly in traditional broadcast (such as in film, television, and radio). If done correctly, royalties earned from licensing can pay your bills and the bills of future generations to come. We want to ensure that you are educated, prepared, and fully versed on how the industry works from the inside out. Music Opps places and pitches music internationally. And even though completing cue sheets is not the task of artists or publishers, having your information organized and accurate can greatly affect proper payment on your next royalty statement. This is good insurance for receiving accurate compensation for your compositions. ![]() Check in with networks/production companies to make sure the cue sheets have been prepared and filed.Being thorough is always appreciated: help producers do their work, which is to produce, don’t give them an additional task of tracking your information down. Have your contact information and metadata available via email when you submit music to editors and music supervisors.If there is more than one composer for an individual piece of music, or if the writer and publisher split royalties other than 50/50, this should be indicated on the cue sheet as these become important factors in PRO payment calculations. This helps editors and producers know what cuts and splits to expect. Be clear if you share publishing/writing credit when submitting or pitching a track.Here are some helpful tips to ensure cue sheets include accurate information: Typical information on a cue sheet includes: With the rise of independent producers and cable operations, the filing of accurate cue sheets has become even more crucial to tracking the use of music in TV and film. Never let anyone’s time crunch, lack of attention to detail, or dread of paperwork infringe upon your being accurately compensated for your music’s use in a production. Therefore, your metadata being correct and available is paramount. But things slip through the cracks, and no matter how righteous the intentions are to accurately complete a cue sheet, your track may get omitted if your information isn’t immediately available. Be aware that if they can’t readily find your information – via metadata embedded in your master recordings or online via a PRO or ISWC (International Standard Musical Work Code) database – they may just skip it or move along to another project with the intention of returning to the daunting task of researching your music. ( Click here to see a sample of an industry standard cue sheet.) Who fills out a cue sheet?Ĭompletion of cue sheets falls on the shoulders of the network staff, typically handled by a junior executive, junior administrator, or an intern. ![]() ![]() ![]() As up-front sync fees are diminishing compared to the highs in the ’80s, ’90s, and early ’00s, having your royalties tracked and paid out on time is more important than ever. Without cue sheets, it would be virtually impossible for composers and publishers to be compensated for their work. This can be done quarterly, semi-annually or annually. When a film or TV show is created, the producers and their teams submit cue sheets to the PROs so the use and broadcast of the music they represent can be tracked. What is a cue sheet?Ī cue sheet is an entry log that is basically a written synopsis of the music used in a production. While each PRO maintains vast computer databases cataloging the music registered by its members, these databases cannot reflect all of the music used in new productions, how it was used, how long pieces were aired, or how many times they may have been broadcast.Ĭue sheets are one way to ensure that all of the stakeholders in a song are compensated adequately for its use and broadcast in TV and film. Keeping track of all the music used on TV and in films is a huge challenge, but it’s one that all Performing Rights Organizations (PRO) undertake for their members to ensure their publishers and writers receive the royalties they are due. Cue sheets are written synopses of the music used in a production and are one way to ensure all the stakeholders in a song are compensated adequately. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |